Overwound Precision Bass Split-coil

I was blown away by these pickups. I always felt that other aftermarket P pickups scooped out to much of the midrange. The overwound P has all of the character that makes the rock precision sound great; that rumble in the bottom and the bite on top, but with so much more clarity and power. Played with fingers its smooth and fat and then switching to a pick adds the perfect amount of aggression. My favorite thing about this pickup is that even with a lot of drive, the harder you hit it, the more fundamental you get. I can not recommend this enough!

These pickups sound better than anything I've used. They're even across all frequencies, but keep that amazing vintage Fender warmth. I use Lollars in my jazz basses and one of my Thunderbirds. I cannot say enough about how good all of this pickups sound. At least try them to hear how good they are.

The extra bottom on this makes it and ideal choice for old school throaty P sound. I put flats on my P and it has such a smooth low end.

This is my second Lollar pickup. The first was a set of blackface strat pickups. I can't vouch for Jason's pickups being authentic as I've never really played a 60's strat/precision with original pickups. What I can tell you, however, is that Lollar pickups give you more of what you expect. If you're looking for a classic thump, this pickup gives you what you expect and a little extra. It's very responsive and sounds good solo or in a mix. I currently have it installed in a classic 50's P with CTS 450G 250K pots and a .1uf PIO K40-Y9 cap. I strongly recommend the .1uf if you are looking for a classic tone instead of a .047uf. Either way, this pickup doesn't disappoint.